Guitar Tabs for Beginners – Tips on How To Read Correctly

Learning the fundamental elements of playing the guitar through a series of lessons prepares you to play your instrument at an advanced level. It may take time to master complicated techniques, but continuous instruction will give you all the knowledge you need to become an excellent guitarist. Remember that learning never stops. After completing the series of step-by-step instructions for a beginner, you’ll be ready to move on to the next level – reading guitar tabs for beginners.

Reading guitar tablature is an additional burden to a newbie guitarist. However, motivation and dedication to completing the whole course helps you to overcome all of the difficulties. A good attitude will help you to read beginner guitar tabs in a shorter period of time than you could imagine. Think about it this way; if you love what you do, then you will do it better than you think. You’ll reach the advanced level with a strong foundation.

Reading guitar tabs for beginners and sheet music for the piano are almost the same, although the piano focuses on notes and clefs while the guitar focuses on frets and strings. You need to follow the numbers and letters shown on the song sheets that correspond to the guitar strings. You may find the numbers 0 2 2 1 0 0 placed in a vertical or diagonal position, and that might give you the impression that it’s all very complicated. It’s actually not, however. These numbers each represent a chord you’ll play on the guitar. It’s mind-boggling at first, but practice and focus will surely make you able to read it very well.

Six strings are attached to your guitar with each string corresponding to a specific tone. The thickest string, which is the lowest 1st string, is the E tone, followed by A, D, G, B and E in ascending order, respectively. The square portions that are separated by the bars are called frets, arranged from left to right with the 1st fret on the left (if you are right handed) followed by the 2nd, 3rd and the remaining frets moving to the right.

Are you still wondering what to do with the numbers above? Here’s the best explanation. The numbers 0 2 2 1 0 0 (which should be in a straight vertical line) tell you to play a chord by pressing the 2nd string on the 2nd fret, the 3rd string on the 2nd fret and the 4th string on the first fret. The zeroes tell you not to press anything on the strings of the specific tune. These notes are played on what are called “open strings.” The numbers shown above give you a guitar tab for an E chord.

Always remember that numbers placed in vertical line and under one another must be played all at the same time; otherwise you’ll need to play the strings one at a time. A complex discussion is needed for playing strings one at a time, and may require more in-depth discourse with good illustrations for proper execution.

Now you’re ready to play songs by implementing what you have just learned. Try to read guitar tabs for beginners and play simple songs like Hotel California and Californication. You may also want to grab a copy of Gibson’s Learn and Master Guitar by Steve Krenz, which includes all the important information about learning how to play guitar, starting from basics to more complex details.

Overall, guitarists play by being self-taught, or they’ve taken lessons at a music school to develop their interests and hone their talents. If you have studied in a school of music, then you probably have a good background on reading guitar tabs for beginners, or perhaps an excellent talent for reading complex guitar tabs. If you have a passion for playing the guitar, you can actually consider playing as a career with a full-time income. But, you’ll need to maintain these qualities, be a responsible and devoted guitarist. Then, your chances of success will rise considerably.

Beginner Guitar Tutorial – How to Play Guitar Tabs

Learning how to play guitar tabs is one of the first steps as a beginner guitar player.

Guitar Tabs are the fastest way to learn to play a familiar song, solo and particular guitar lick. Since most of us learn guitar so that we can play our favorite songs it makes sense that beginners are often eager to pick up this skill.

In this article I am going to share with you how to play guitar tabs in three steps: One, understanding what a guitar tab is, two, how to read the tab and three the fastest way to use tablature to learn a full song.

Understanding Tab

Compared to reading music, which might feel like learning a second language to some, understanding guitar tabs is simple.

Here is how basic guitar tablature looks:







Each line of guitar tab corresponds directly to a string on your guitar. The top line corresponds to the bottom for first string on your guitar (the high e), while the bottom line of tab corresponds to the top or 6th string on your guitar (low E).

Reading Tab

Guitar tabs are simply a mix of numbers and symbols placed on different lines. Here’s a simple example of a guitar tab for the E major chord.







The number correspond to the fret you press down on that particular string. So for the above example tab you would be playing the 2nd fret of the A string, the 2nd fret of the D string, the first fret of the G string and you’d strum the low E, B and high e strings open (hence the 0 on those lines).

You would know this is a chord because the numbers are all on top of each other in a line. If you say something like this:







You would be picking individual strings. In this case it would be the 3rd fret of the low E, followed by the 5th fret of the A string and finally the 7th fret on the B string.

While there are other symbols you can run into this is the basics of how to read guitar tab.

Fastest way to Learn a Song from Tab

This might seem straight forward but I have met many beginner guitar players who don’t think of this basic technique.

When learning a new song it’s important to break the song down into parts.

For example if the guitar tab has the verse, chorus and bridge parts all separated out then first practice the verse chords or what ever it may be. Learning a song in parts, first slowly, then adding speed next and finally piecing all the parts together makes it far more manageable then trying to just play through the entire song first time.

What Is Acoustic Guitar Purfling?

I’ve been looking to design a custom acoustic guitar, which is a daunting task even just from a research standpoint. There are so many options in terms of wood, shape, body size, hardware, etc. So I’m finding it’s good to do a lot of learning before ordering anything, so that I am clear on what the options are and what they tend to add to the cost. One thing that confused me as I started the research was a guitar option called “purfling”. I sensed it related to the binding, which is the trim around the edges of the guitar, but I wasn’t sure exactly what it was, and there’s not a lot of good info on the web about it. So here’s some information to anyone wondering what purfling is and why it’s important to the building of a custom acoustic guitar.

Guitar Binding vs Guitar Purfling

The concept of “trim” is often used to generally refer to the line of material that goes around the body of the guitar, occupying the space between the top flat piece of wood used for the body, and the curved wood used in the sides of the guitar. “Binding” is a material that is located at the outermost corner of the instrument, and it’s used to seal the edges of the wood together between the parts of the guitar body. If a guitar did not have binding, the guitar would be easily prone to cracking and splitting in this location.

Purfling is an inlay around the body of the guitar but it’s located in between the binding and the side, back, or top of the guitar. So you may have one binding between the top of the guitar and the side, and you may have a line of purfling on either side of it, as a thin line or a pattern. The luthier carves a channel in the wood and lays the purfling into it, so that it is flush with the surface of the guitar.

Purfling is typically purely decorative, and it provides an opportunity to give the guitar some visual style and elegance by choosing an interesting color, or a pattern with a recurring motif. Purfling strips can also be used around the rosette, or the area surrounding the sound hole of the guitar below the strings, creating a ring design around this part of the instrument.

Purfling Options

While bindings are made out of wood, plastic, or fiber, and have a mainly structural purpose, purfling has many more choices since its main reason for existing is to add unique style elements to the guitar. A simple purfling might be made of maple to create a light-colored or white line, or can be dyed black for a contrasting look against a light-colored plastic binding. A skilled luthier should be able to offer many color, thickness, and detail options for the purfling, as this element contributes greatly to the overall beauty of the guitar.

You can also find purflings called marquetry purflings, which are made from materials designed to form a pattern such as a “herringbone” pattern, or a more simple dashed line. Purfling can also be made of mother-of-pearl or abalone to create an elegant and regal look.

Amid all the many choices for your custom guitar, purfling offers an opportunity to be creative and really make the guitar stand out. Take some time to talk to a luthier and understand the many options available for this and other aspects of your custom acoustic guitar.

The Classical Guitar – Classical Guitar Review

Not to be confused with the nylon strung “folk” guitar, the classical guitar, although sharing the same type of strings, offers the musician a far more sophisticated instrument, in build quality and tone. The beautiful classical guitar has a wide ranging repertoire which, in the right hands, can evoke every changing emotion, from romantic and enchanting moods through to the dramatic and dynamic. This review will explain all you need to know about handmade classical guitars.

The Classical Guitar we know today is the result of hundreds of years of design progression. A primitive form of the guitar can be traced back to the 15th century but it is not until the 19th century that the template for today’s best classical guitars was laid down.

The modern day guitar has its roots in humble beginnings and was originally the domain of field workers rather than the higher echelons of society. For this reason, top luthiers were slow to take up the mantle of guitar creation and continued to concentrate their efforts on the more popular concert instruments of the day like the cellos or violin.

The guitars’ ability to express the emotion of the player did win the hearts of some listeners in high society. Louis XIV of France and Charles II of England were indeed great fans of the guitar but it would still be many years before the guitar was elevated to the performance stage and taken seriously by guitar builders.

The design template for the Classical guitar of today was established by Spanish builders in the 19th century, who standardised the guitar size and scale length and developed the internal support and strengthening mechanism. Their ingenuity set the standard for great guitar building which continues to this day.

The four main construction parts are as follows:

1. A top (or “table”) made from Spruce which is strong enough to withstand the string tension of a full-scale neck, while light and thin enough to be musically responsive.

2. Rosewood back and sides to give a rigid structure but still light enough to resonate a tuneful sound.

3. A neck of Cedar which has just the right balance of strength and weight to withstand the string tension without impairing the sound quality.

4. An ebony fingerboard made wide and flat to assist fingering when playing with the thumb behind the neck.

The evolution of the Classical guitar continues today with top craftsmen exploring new and innovative design techniques and modern materials. Ultra thin tops and carbon fibre are just some of the new products being utilised in the pursuit of perfect sound and playability. This passion for perfection will ensure that the Classical guitar will continue to grow and evolve and remain one of the worlds most popular musical instruments.

In addition to this review, you can discover the secrets of playing excellent classical guitar in a few short weeks with my FREE beginners guide to learning guitar.

Guitar Picking For Beginners – Guitar Picking Techniques

Guitar picking is one of the big achievements in life. If you can sit down with your guitar and pick out some licks or show off your sweep picking your audience is going to know that you are one cool dude.

Let us take a look at some guitar picking techniques. Alternate picking is when you play a downstroke, then an upstroke, then down again. It is often mis-named alternative picking. This is a commonly used technique which just requires solid practice to develop some speed. If you can learn to play fast using alternate picking you might find that you are less impressed by guitar tapping and sweep picking as ways of impressing your audience with your guitar technique.

The way to begin practicing your alternate picking is very slowly. Do not even think about speed. The use of a metronome is also very important, and this is where your first difficulty will lie. You need to set the metronome to a very slow speed and keep to it as you practice. Most people have a belief that they can play the guitar in time without a metronome. This is just a little trick that our mind plays on us. Very few people have the ability to play in time naturally. The best thing is to assume you are one of them.

Some new guitar players have an issue with whether to begin guitar picking with an upstroke or a downstroke. When you start off learning guitar picking you generally have a natural tendency to use downstrokes. That is, your body wants to pick down all the time. It is more comfortable. Working on alternate picking gets you out of the downstroke rut and into the knack of using up and downstrokes as and when you think they sound best.

Another question that comes up for guitar picking students is where to place your right hand when you are picking. If you are playing an electric guitar, your picking sounds different when you play in different positions in relation to your pickups. The sound you get also depends on which pickups you have switched on. When you are picking on an acoustic guitar playing near the bridge sounds very different from playing over the sound hole, and you will notice variations in between. This is where your own musical creativity comes in. The guitar picker decides which sound suits which song and whether to have a thin sound coming from near the bridge or a more “booming” tone coming from near the neck.

Another guitar picking technique is known as “sweep picking” and is a fairly tricky technique to get sounding right. You are not only working on your actual guitar picking but on the cleanness of your sound and economy of motion. Basically sweep picking is a way of playing fast using arpeggios. In a way it gets you doing fast guitar picking in a short length of time but getting the knack of sweeping the pick across the arpeggios and at the same time doing the left hand fingering can be quite a challenge. If you are not sure what sweep picking is, the best way to find out is to do a search on one of the video sites and watch a guitar player actually demonstrating the technique.

Vintage Guitar Values – How Much Is Your Guitar Worth?

Many of the visitors to my website ask about vintage guitar values. Do you have a guitar about which you would like to have information? Do you have a question about Fender guitar value, Gibson guitar value, or maybe the value of a Martin guitar? Even if you don’t know what kind of guitar you have, a little research will help you to find the value of your guitar.

What makes a guitar valuable?

Several factors figure into the value of a guitar. In general, the guitar must be one which is sought after by collectors and musicians. The demand for a guitar is determined in general by quality, beauty, and playability. This demand must outweigh the available supply.Age is an important factor in the value of a guitar, but a guitar is not necessarily more valuable just because it is older. It must have been made with a high standard of quality in the first place. An old mediocre quality guitar is just that–an old mediocre guitar! The actual year that a guitar was made may not be as important as the PERIOD in which it was made.

For example, electric guitars which are most valuable today include Fender Telecasters made before 1954, Fender Stratocasters made between 1954 and 1959, and Gibson Les Pauls made between 1958 and 1960. Acoustic guitars of the greatest value include Pre-World War II Martins and Gibsons.This is not to say that other guitars are not valuable. Many vintage guitars will bring a good price. The trick is to know approximately how much YOUR guitar is worth.

How Do I Determine the Value of My Guitar?

In order for you or anyone else to determine the value of your guitar, you must have certain information available. Ideally, you would know the brand, model, and serial number. The brand and model, however, can often be determined through the serial number. Then you must determine the condition of your guitar–prices differ greatly according to condition. Here are some guidelines: (these guidelines are from the “Blue Book of Acoustic and Electric Guitars”)

100% – New – New with all factory materials, including warranty card, owner’s manual, case, and other items that were originally included by the manufacturer. On currently manufactured instruments, the 100% price refers to an instrument not previously sold at retail. Even if a new instrument has been played only twice and traded in a week later, it no longer qualifies at 100%.

Excellent – this Excellent condition range is represented by both High Excellent and Low Excellent condition. High Excellent refers to an instrument that is very clean, looks almost new (perhaps a few light scratches/dings only), and has hardly been used. Low Excellent refers to a guitar that has been played/used, and has accumulated some minor wear in the form of light scratches, dings, small chips, etc. The older an instrument, the less likely it will be in High Excellent condition Even Low Excellent is seldom encountered on instruments over 50 years old, since most acoustic instruments were originally purchased to be played

Average – The Average guitar condition factor indicates an acoustic guitar that has been in a player’s hands and has worn due to player use (hopefully, no abuse). High Average condition instruments have normal dents, small chips, and light dings on the body, and/or scratches on the top and back. However, there should be no problems unless indicated separately. Low Average condition instruments may reflect major finish problems, replacement parts, previous repairs (especially on older instruments), alterations, and neck/fret wear is typically visible.

Once you have this information at hand, you can attempt to find the value of the guitar by consulting various sources on the internet or you can have it appraised by an expert. Researching the value of your guitar on the internet may be free. The downside is that this research requires a big expenditure of time and a wide knowledge of guitar pricing resources. If you have your guitar appraised, remember that the appraiser may also be a dealer who is, after all, wanting to make a profit by reselling the guitar. For this reason, the appraisal MAY be biased.

Because so many of my website visitors have inquired about the value of their guitars, I have begun to offer a GENERAL guitar evaluation service. This service is FREE. If you are interested, please visit:

Vintage Guitar Values at the May Music Studio Website.

A Brief History Of The Guitar

Guitarists know a lot about their instruments–techniques, chords, songs etc. But what many guitarists don’t know is the history of the guitar. It’s understandable, because many people don’t feel this helps at all in actually playing the guitar. Still, it is helpful to know everything about the instrument–including the history.

The history of guitar is a debatable topic, as there are no concrete facts about the guitar and when exactly it first appeared. What is known, though, is that guitars or similar instruments have been around for over 5,000 years. Entire books could be written about the history of guitar, so in this article, we’ll just go over a timeline of how it is thought the guitar evolved.

o 1400 B.C: The Hittites play a four-string, guitar-like instrument. This four string instrument had soft, curved sides, which were somewhat similar to the current guitar. Also around this time, the Greeks produced a similar instrument which was modified by the Romans and became known as the cithara.

o By 1200 A.D.: There were two types of guitars. One type was known as the Moorish guitar (guitarra morisca). This guitar had a wide fingerboard, rounded back, and several sound holes. The type of guitar was the Latin guitar (guitarra Latina). The Latin guitar looked more like our current guitar with a narrower neck and just one sound hole.

o The late 1400’s: A new guitar, called the vihuela, evolved from the two types of guitar mentioned. The vihuela was a large instrument with double the strings of the Latin and Moorish guitars, a longer neck and ten or eleven frets. The Portuguese and Spanish courts preferred the vihuela over any other instrument for roughly 200 years.

o Until the late 1600’s: The vihuela, and another instrument called the lute, were more popular than the guitar. This changed when the popularity of the lute declined because it had too many strings and was too hard to play and tune. The vihuela was replaced by four and five course guitars of that time. Four course guitars had seven strings–a single high string and three pairs of other strings–while five course guitars had nine strings–a single high string and four pairs of other strings. Some feel that the addition of the fifth course during the 16th century, which gave the guitar greater flexibility, was the reason why the guitar became popular.

o By the beginning of the 1800’s: Some guitars used fan struts under the soundboard and featured six strings (like the modern guitar). Also changed during this time was the neck (which was raised), the fingerboard (which used ebony or rosewood), and the tuning pegs (which were replaced with machine tuners). Guitars like these are most similar to early classical guitars.

o By the late 1800s: A man named Antonio Torres Jurado changed the guitar dramatically by refining the strutting of the guitar. This allowed for as many as seven struts to be spread out like a fan under the soundboard. Additionally, the size of the body and the width of the neck were greatly increased. As a result of Jurado’s improvements, the guitar had greater bass response and volume. Jurado’s work made it possible for the guitar to meet the demands of both the solo performer and the concert stage.

o The Present: Our modern guitar is practically the same as the one made by Jurado.

As was previously said, this is but a brief introduction to the fascinating history of guitars. If you wish to find out more on certain types of guitars, such as the history of Acoustic, Electric or Bass guitars, you can check out our articles titled “The Acoustic Guitar”, “The Electric Guitar”, and “The Bass Guitar”.

Guitar Positions – Learn How to Identify Them

Guitar positions… What are they? If you’re scratching your head because you’ve never even heard of such a thing, please read on…

Did you know that musical scales, notes and chords can be written and played in different positions on the fretboard? Therefore, most beginning guitar players usually start with learning the notes and chords associated in and around first position. By using this approach it becomes much easier to learn each consecutive position.

All guitar positions on the fretboard are identified by the first finger of the fretting hand. The fingers of the guitarist’s fretting hand (most commonly the left) are numbered as follows:

  • 1 = Index
  • 2 = Middle
  • 3 = Ring
  • 4 = Pinkie

First position on the guitar covers all the notes of each string on the first four frets.

When playing in first position…

  • The 1st finger of your fretting hand plays any note that occurs on the first fret of any string.
  • The 2nd finger of your fretting hand plays any note that occurs on the second fret of any string.
  • The 3rd finger… plays the third fret
  • The 4th finger… plays the fourth fret

To play in second position, you simply shift all the fingers of your fretting hand up one fret. When you do this your first finger will be directly over the second fret.

When playing in second position…

  • The 1st finger… plays the second fret
  • The 2nd finger… plays the third fret
  • The 3rd finger… plays the fourth fret
  • The 4th finger… plays the fifth fret

Identifying guitar positions with the first finger only applies to single notes, not chords. When you form a chord you have to play several notes at a time. That means your first finger will often have to move to a different fret in order to play the chord.

However, there are chords and scales related to each guitar position within the same general area of the fretboard. But we will save that discussion for another time.

Why not take some time this week to get familiar with your guitar by learning the notes in first position.

Guitar Position Playing Tips:

1. Play and say the notes on each string until you have them all memorized.

2. Be sure to keep the first knuckle bent as you press down on the string using the tip of each finger.

3. When you are first starting out, do not hold the previous finger down on the fret as you add the next finger. Instead, lift and place each finger down on each fret, one at a time. This will help you develop coordination and dexterity in your movements.

4. After you have become familiar with the exercise and are able to move easily while producing a clear tone, then try keeping each finger down as you add the next one. This will begin to stretch your fingers.


Be careful not to force your fingers to stretch beyond their current capabilities as you might strain your hand. Take time to get used to moving your fingers across the guitar fretboard and only do as much as you are comfortable with.

Guitar – Interesting Notes on Beginner Guitar Chords

There are over two thousand guitar chords to choose from, but all are not necessary to learn. Most songs can be transposed to three chords. Guitar chords are grouped harmonically and tonally – sympathetically together – in groups of three. The most difficult guitar songs can then be transposed to a lower or higher key to suit your voice range and playing skills.

Instead of playing a technically difficult Guitar song in flats, minor seventh or sharps, you can play it in an easier Three Chord Trick sequence that makes it easier for the Beginner Guitar player.

Note: different guitar chords (fingerings on the Guitar fret-board) give a distinctive voicing (sound from your instrument) that gives your music a specific quality.

Most beginner Guitar Players in folk, pop, country, blues, electric and rock guitar, rely on basic open chords (called Triads) played in the first four frets, using either one, or a combination of the three chord sequences.

The more complex the guitar chord progressions, the more sophisticated the sound – James Taylor: “You Got A Friend”. Chords such as C sharp 7th and F sharp minor. The beginner Guitar Player has literally thousands of songs to choose from that can be played with the basic open Three Chord Trick guitar sequences.

Bar chords are great for acoustic or big box amplified guitars, for most types of songs – of course difficult to master at first, but when you realise that only one three finger pattern – behind your first finger on the bar, repeated up the neck, gives you twelve chords from E to E:

E – F – F# – G – G# – A – A# – B – C – C# – D – D# – E –

It suddenly opens up a whole new range of chords and sounds to you in using only one shape. The same goes for the minor or the seventh of the same chord in the above sequence. i.e. learn three shapes – one of which you should already know as your E open chord, (or Em or E7) move it all the way up the neck and you get all the above related chords taking place. Same applies to the major or minor or 7th positions in your lower case Triad of the A – Am – A7 positions. It is a matter of progression up the neck: 12 steps from E to E – or A to A – etc.

Electric, Lead and Rock Guitarists will want to learn the power chords: for that hard, lean, driving or distorted sound required. Full bar chords or open chords sound a bit “muddied” when played on an electric guitar in a hard rock or metal number – ask any Leo Fender fan! So, learn the Power Chords known as 5th’s.

Soft rock uses add 9th chords, and early pop songs used major 6th’s.

Have fun!

Copyrights: @2010 by Peter Pentelbury

Guitar Anatomy 101 – The Parts Of A Guitar

You’ve made the decision to take up the guitar, but aren’t exactly sure how to use it. This lesson is the perfect place to start your guitar career. You’ll learn all about Electric and Acoustic guitars, their parts and the slight differences between the two.

Let’s start with the body of the Acoustic and Electric guitar. This is where any electronic hardware (such as in the Electric guitar) is located. The Acoustic guitar, unlike the Electric, has a sound hole. This is where the sound that you hear comes from when you hit a string. A sound hole serves to amplify the vibration (sound) produced by the strings. Without a sound hole, the sound produced by the vibration of strings on the Acoustic guitar would be minimal.

The Electric guitar, on the other hand, does not have a sound hole. As a result, when you hit a string on the Electric, the sound is very low because the vibration isn’t amplified like on the Acoustic. If the Electric guitar is plugged into an amplifier, the sound produced will be as loud or as low as you need it.

On the body of the guitar, you’ll also find the bridge. The bridge is where the strings on the guitar are threaded through. On the Acoustic guitar, there are also bridge pegs in the bridge which hold one end of the string in place. This isn’t the case with the Electric, as the strings are secured to the bridge without the use of a peg.

Attached to the bridge is what is known as a tremolo or whammy bar. This mechanical device, found only on Electric guitars, allows a guitarist to reduce tension on all 6 guitar strings at once.

Also located by the bridge are pick-ups, found in Electric guitars, which amplify the vibrations the strings make. These are used in conjunction with an amplifier. Electric guitars may have as many as three pick-ups, with each having a distinct function.

On Electric guitars, there are a set of Control knobs. Each knob represents a control for the guitar. There are two types of knobs: volume knobs and pick-up knobs. You use the volume knobs to control how much noise the guitar makes, while the pick-up knobs are used to control the pick-ups.

Finally, located by the bridge on most stratocaster Electric guitars is a socket. On other styles of Electric guitars, the socket is located on the side of the body. This small hole, typically found only in Electric Guitars, is where you plug in one end of a guitar cable. The other end of the cable is plugged into an amplifier or computer.

Next, there is the neck, a long piece of wood that is attached to the body and Nut of the guitar. On the neck is the fretboard. There are 20-24 pieces of metal on the fretboard, each representing a fret. Each fret represents a musical note. Additionally, there are inlays (either dots or special designs) on the fretboard. Like the pieces of metal on the guitar, these also serve as a guide to notes. The 12th fret on the guitar, for instance, is commonly represented by two dots.

Connected to the neck is the nut which is connected to the Headstock. On the headstock you’ll find tuning pegs. The other end of a string is slid through a tuning peg. A tuning peg allows you to either increase or decrease the tension of a string, thereby raising or lowering the sound of the guitar. More information on tuning can be found in our tuning article.

And there you have it. You’ve covered a lot of things in this lesson, all of it helpful to your guitar studies. You can now move on to the next lesson–learning how to play the guitar.